Resounding 1923: Musical Modernities from the Ottoman Empire to the Turkish Republic

Articles:

• Jacob Olley, Resounding 1923: Musical Modernities from the Ottoman Empire to the Turkish Republic

• Panagiotis C. Poulos, “Foreigners in their Homeland”: Song Writing, Musical Estrangement, and Subjecthood Formation in Late Ottoman Istanbul

• Jacob Olley, Joking Aside: European Music and the Dislocation of Modernity in Nineteenth-Century Ottoman SatirehBurcu Yıldız, Transcultural Memory in the Study of Folk Music in Turkey: 78-rpm Records of the Ottoman American Diaspora

• Onur Günes ¸ Ayas, Self-Orientalist Representations of Turkish Classical Music in the Republican Era: Orientalism and Orientalism in Reverse

• Evrim Hikmet Ög˘ üt , Rauf Yekta’s Notes on the 1932 Congress of Arab Music: Being a Mediator in a Dual Musical Universe

• Elif Damla Yavuz, Institutionalizing Opera in Turkey: Carl Ebert and the Opera Studio

• Erol Köymen, Provincializing Acoustics, Feeling Europe: Heritage and Sonic Atmosphere in Istanbul

• Martin Stokes, Afterword: Istanbul, Cairo, and the “Demography of Babel”