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Resounding 1923: Musical Modernities from the Ottoman Empire to the Turkish Republic

Produktinformationen "Resounding 1923: Musical Modernities from the Ottoman Empire to the Turkish Republic"

 

 

Articles:

  • Jacob Olley, Resounding 1923: Musical Modernities from the Ottoman Empire to the Turkish Republic
  • Panagiotis C. Poulos, “Foreigners in their Homeland”: Song Writing, Musical Estrangement, and Subjecthood Formation in Late Ottoman Istanbul
  • Jacob Olley, Joking Aside: European Music and the Dislocation of Modernity in Nineteenth-Century Ottoman SatirehBurcu Yıldız, Transcultural Memory in the Study of Folk Music in Turkey: 78-rpm Records of the Ottoman American Diaspora
  • Onur Günes ¸ Ayas, Self-Orientalist Representations of Turkish Classical Music in the Republican Era: Orientalism and Orientalism in Reverse
  • Evrim Hikmet Ög˘ üt , Rauf Yekta’s Notes on the 1932 Congress of Arab Music: Being a Mediator in a Dual Musical Universe
  • Elif Damla Yavuz, Institutionalizing Opera in Turkey: Carl Ebert and the Opera Studio
  • Erol Köymen, Provincializing Acoustics, Feeling Europe: Heritage and Sonic Atmosphere in Istanbul
  • Martin Stokes, Afterword: Istanbul, Cairo, and the “Demography of Babel”

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