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Sound Futures: Exploring Contexts for Music Sustainability Guest Editors: Dan Bendrups & Huib Schippers the world of music (new series)Vol. 4(2015) 1 2015 146 p. fig., photos and musical notations (UVP) EUR 36,00 - EINZELEXEMPLAR ganz leichte Bestoßen an Kante vom Cover - 28 EUR Sonderpreis ISBN 978-3-86135-910-4 Contents: Articles Dan Bendrups & Huib Schippers: Preface: Sound Futures Huib Schippers & Dan Bendrups: Ethnomusicology, Ecology and the Sustainability of Music Cultures Anthony Seeger & Shubha Chaudhuri: The Contributions of Reconfigured Audiovisual Archives to Sustaining Traditions Trevor Wiggins: Music, Education, and Sustainability Zhang Boyu, with Yao Hui & Huib Schippers: Report: The Rise and Implementation of Intangible Cultural Heritage Protection for Music in China Dan Bendrups & Donna Weston: Open Air Music Festivals and the Environment: A Framework for Understanding Ecological Engagement Alison Booth: Producing Bollywood: Entrepreneurs and Sustainable Production Networks Richard Letts. Global Perspectives: The IMC Report on Forces Affecting Music Sustainability Book Reviews (Eva-Maria van Straaten, ed.) Carl Clements: Martin Clayton, Byron Dueck, & Laura Leante (eds.), Experience and Meaning in Music Performance (2013) Louis Regis: Jocelyne Guilbault & Roy Cape, Roy Cape, A Life on the Calypso and Soca Bandstand (2014) Tom Solomon: Philip V. Bohlman (ed.), The Cambridge History of World Music (2013) Eckehard Pistrick: Andreas Gebesmair, Anja Brunner & Regina Sperlich (eds.), Balkanboom! Eine Geschichte der Balkanmusik in Österreich (2014) Anna-Elena Pääkkölä: Babette Babich, The Hallelujah Effect—Philosophical Reflections on Music, Performance Practice, and Technology (2013) Maria S. Guarino: Ian Russell & Catherine Ingram (eds.), Taking Part in Music: Case Studies in Ethnomusicology (2013) Stefan Fiol: Andrew Alter, Mountainous Sound Spaces: Listening to History and Music in the Uttarakhand Himalayas (2014) Stig-Magnus Thorsen: David A. McDonald, My Voice Is My Weapon: Music, Nationalism, and the Poetics of Palestinian Resistance (2013) Recording Reviews ((Robert Fry, ed.) David Knapp: Nudbok al Amar (Dabke on the Moon), DAM. Produced by Nabil Nafar, Jethro Beats, Anan Ksym, and Abed Hathut (2012) Jacqueline Avila: Birdman (Or The Unexpected Virtue of Ignorance). Original Motion Picture Soundtrack. Prodcued by Alejandro Gonzalez Iñárritu (2014) Kayleen Justus: Oui ma Cherie!—Music for Steel Orchestra, Studio Kitchen Crew. Produced by Andy Narell (2014) Lisa Osunleti Beckley-Roberts: Hunter Poetry, WolfHawkJaguar. Produced by Wolfhawkjaguar (2012) the world of music (new series) About the Contributors
Colonial Modernity and East Asian Musics Hugh de Ferranti & Yamauchi Fumitaka (eds.) (the world of music (new series) special issue Vol. 1-2012) 2012 208 p. fig., photos and musical notations (UVP) EUR 32,00 ISBN 978-3-86135-930-2 This special issue includes contributions by prominent music researchers based in China, Japan, Taiwan, and Australia. One of the first attempts to present scholarly work on music in colonial era East Asia in a thematically coordinated manner, the issue delineates diverse experiences of colonialism and modernity among musicians in Korea, Taiwan, Japanese-occupied Shanghai, and naichi or ‘home islands’ Japan. A study of musical interface between French colonists and Vietnamese in prewar Hanoi offers a comparative perspective on music and colonial modernity in what had formerly been part of the cultural Sinosphere. Contents: Articles Preface Hugh de Ferranti & Yamauchi Fumitaka: Introduction Wang Ying-fen: Zhang Fuxing’s Musical Negotiation between Tradition and Modernity in Colonial Taiwan Tang Yating : Japanese Musicians in the Shanghai Municipal Orchestra (^1942–45) Michael E. McClellan: Making Music Modern: Colonial Hanoi and the Politics of Sound Philip Flavin: Echoes and Images of Colonial Japan: Imperialism and Modern Music for the Koto Yamauchi Fumitaka: (Dis)Connecting the Empire: Colonial Modernity, Recording Culture, and Japan-Korea Musical Relations About the Authors