World of Music Vol. 12 (2023) 2

World of Music Vol. 12 (2023) 2
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  • 9783861359357
  • 36,00
Access to Waxes – The Collections from the Arab World of the Berlin Phonogramm-Archiv I The... mehr
Produktinformationen "World of Music Vol. 12 (2023) 2"

Access to Waxes – The Collections from the Arab World of the Berlin Phonogramm-Archiv I

The world of music (new series) vol. 12 (2023) 2

ISSN 0043-8774

ISBN 978-3-86135-935-7

Subscription information:

  • Language of publication: English
  • Bibliography:
    • 2 issues per year —published in June and December
    • 15,2 x 22,8 cm
    • ISSN 0043-8774
  • Prices:
    • single issue (plus shipping): (UVP) EUR 36,00
    • double issue (plus shipping): (UVP) EUR 55,00
    • (prices single and double issue plus postage and handling)
    • annual subscription in Germany: (UVP) EUR 70,00
    • annual subscription abroad: (UVP) EUR 84,00
    • (subscription prices include postage and handling)

 Issue in production - expected delivery, begin of october

For subscription or international orders send inquiry per email. Issues 2024 available soon, subscription 2024 and 2025 open - ask for updated prices.

 

 

Content:

  • Nadia Bahra, Lando Kirchmair, Matthias Pasdzierny, and
    Albrecht Wiedmann, Access to Waxes – The Collections from
    the Arab World of the Berlin Phonogramm-Archiv: Between
    Digitization, "Repatriation," and Online Publication
  • Salwa El-Shawan Castelo-Branco, Interrogating "Access to
    Waxes" – Introductory Remarks on the Collections from the Arab
    World of the Berlin Phonogramm-Archiv
  • Susanne Ziegler, The Collections of Music from the Arab World in
    the Berlin Phonogramm-Archiv
  • Jean Lambert, A Historical Glimpse of Music in Yemen in the
    1930s: A First Approach to the Cylinders Recorded by Hans
    Helfritz
  • Matthias Pasdzierny, Whom to Remember – How to Return?
    Brigitte Schiffer, the Voices of Siwa and the Entangled History of
    the Berlin School of Ethnomusicology
  • Ruth F. Davis, From Wax Cylinder to Metal Disc: Transplanting
    Robert Lachmann’s “Oriental Music” Project from Berlin to
    Jerusalem on the Eve of World War II
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